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| 035 | ⊔ | ⊔ | ‡a(OCoLC)10805533 |
| 040 | ⊔ | ⊔ | ‡aTXA ‡beng ‡epn ‡cTXA ‡dOCLCQ ‡dOCLCG ‡dOCLCF ‡dOCLCQ ‡dOCL ‡dOCLCO ‡dOCL ‡dOCLCA ‡dOCLCQ ‡dQ2U ‡dOCLCO ‡dOCLCQ ‡dOCLCO |
| 050 | ⊔ | 4 | ‡aML184 ‡b.K7 1945a |
| 090 | ⊔ | ⊔ | ‡aML184 ‡b.K7 1945a ‡9local |
| 100 | 1 | ⊔ | ‡aKrenek, Ernst, ‡d1900-1991. |
| 245 | 1 | 0 | ‡aHamline studies in musicology / ‡cErnst Krenek. |
| 260 | ⊔ | ⊔ | ‡aMinneapolis : ‡bBurgess Pub. Co., ‡c1945- |
| 300 | ⊔ | ⊔ | ‡a2 volumes : ‡bmusic ; ‡c28 cm |
| 336 | ⊔ | ⊔ | ‡atext ‡btxt ‡2rdacontent |
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| 505 | 0 | ⊔ | ‡av. 1. An analysis of the design of the "Caput" masses by Dufay and Okeghem in their metric and rhythmic aspects / by R.G. Harris. A contribution to the problem of mode in mediaeval music / by Virginia Seay. A study of linear design in Gregorian chant and music written in the twelve-tone technique / by Martha Johnson -- v. 2. A discussion of the treatment of dissonances in Okeghem's masses as compared with the contrapuntal theory of Johannes Tinctoris / by Ernst Krěnek. A study of conflicting key-signatures in Francesco Landini's music / by Martha Johnson. |
| 533 | ⊔ | ⊔ | ‡aPrint reproduction. |
| 538 | ⊔ | ⊔ | ‡aMode of access: Internet. |
| 648 | ⊔ | 7 | ‡a500-1400 ‡2fast |
| 650 | ⊔ | 7 | ‡aMusic ‡2fast ‡0(OCoLC)fst01030269 |
| 650 | ⊔ | 0 | ‡aMusic ‡y500-1400 ‡xHistory and criticism. |
| 655 | ⊔ | 7 | ‡aCriticism, interpretation, etc. ‡2fast ‡0(OCoLC)fst01411635 |
| 710 | 2 | ⊔ | ‡aHamline University. ‡bSchool of Fine Arts. |
| 776 | 0 | 8 | ‡iOnline version: ‡aKrenek, Ernst, 1900-1991. ‡tHamline studies in musicology. ‡dMinneapolis : Burgess Pub. Co., 1945- ‡w(OCoLC)1357101701 |
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| DAT | 1 | ⊔ | ‡a20230504140523.0 ‡b2023-05-08T18:07:11Z |
| DAT | 2 | ⊔ | ‡a2023-05-08T17:30:02Z |
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| 974 | ⊔ | ⊔ | ‡bGU ‡cGU ‡d20230508 ‡sgoogle ‡uuga1.32108022553013 ‡zv. 2 ‡y1945 ‡ric ‡qbib ‡tUS bib date1 >= 1929 |