American independent cinema : an introduction

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100 1 ‡aTzioumakis, Yannis, ‡eauthor.
245 1 0 ‡aAmerican independent cinema : ‡ban introduction / ‡cYannis Tzioumakis.
250 ‡aSecond edition.
264 1 ‡aEdinburgh : ‡bEdinburgh University Press, ‡c2017.
300 ‡axxiii, 328 pages : ‡billustrations ; ‡c25 cm
336 ‡atext ‡btxt ‡2rdacontent
337 ‡aunmediated ‡bn ‡2rdamedia
338 ‡avolume ‡bnc ‡2rdacarrier
500 ‡aFirst edition published 2006.
504 ‡aIncludes bibliographical references (pages 300-313) and index.
505 0 ‡aIntroduction : problems of definition and the discourse of American independent cinema -- Part I. American independent cinema in the studio years (mid-1920s to late 1940s) -- 1. Independent filmmaking in the studio era : tendencies within the studio system -- 2. Independent filmmaking in the studio era : the Poverty Row studios (1930s to 1950s) -- Part II. American independent cinema in the post-studio era (late 1940s to late 1960s) -- 3. Independence by force : the effects of the Paramount decree on independent film production -- 4. An audience for the independents : exploitation films for the nation's youth -- Part III. American independent cinema and the 'New Hollywood' (late 1960s to late 1970s) -- 5. The new Hollywood and the independent Hollywood -- 6. American independent cinema in the age of the conglomerates -- Part IV. Contemporary American independent cinema (1980s to date) -- 7. Mini-majors and major independents -- 8. The institutionalisation of American independent cinema -- 9. American independent cinema in the age of media convergence -- Epilogue : from independent to specialty content.
520 ‡aThis introduction to American Independent Cinema offers both a comprehensive industrial and economic history of the sector from the early twentieth century to the present and a study of key individual films, filmmakers and film companies. Ordered chronologically, beginning with independent filmmaking in the studio era (examining both top-rank and low-end independent film production), moving to the 1950s and 1960s (discussing both the adoption of independent filmmaking as the main method of production as well as exploitation filmmaking) and finishing with contemporary American independent cinema (exploring areas such as the New Hollywood, the rise of mini-major and major independent companies and the institutionalisation of independent cinema in the 1990s), readers will develop an understanding of the complex dynamic relations between independent and mainstream American cinema. Ordered chronologically, beginning with independent filmmaking in the studio era (examining both top-rank and low-end independent film production), moving to the 1950s and 1960s (discussing both the adoption of independent filmmaking as the main method of production as well as exploitation filmmaking) and finishing with contemporary American independent cinema (exploring areas such as the New Hollywood, the rise of mini-major and major independent companies and the institutionalisation of independent cinema in the 1990s), readers will develop an understanding of the complex dynamic relations between independent and mainstream American cinema.
538 ‡aMode of access: Internet.
648 7 ‡a1900-1999 ‡2fast
650 7 ‡aMotion picture industry. ‡2fast ‡0(OCoLC)fst01027150
650 7 ‡aIndependent films. ‡2fast ‡0(OCoLC)fst01738681
650 7 ‡aIndependent filmmakers. ‡2fast ‡0(OCoLC)fst00968926
650 0 ‡aMotion picture industry ‡zUnited States ‡xHistory ‡y20th century.
650 0 ‡aIndependent films ‡zUnited States ‡xHistory and criticism.
650 0 ‡aIndependent films ‡xEconomic aspects ‡zUnited States.
650 0 ‡aIndependent filmmakers ‡zUnited States ‡vCase studies.
651 7 ‡aUnited States. ‡2fast ‡0(OCoLC)fst01204155
655 7 ‡aCase studies. ‡2lcgft
655 7 ‡aHistory. ‡2fast ‡0(OCoLC)fst01411628
655 7 ‡aCriticism, interpretation, etc. ‡2fast ‡0(OCoLC)fst01411635
655 7 ‡aCase studies. ‡2fast ‡0(OCoLC)fst01423765
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