Drawing : the bottom line

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020 ‡a030022009X ‡q(Yale University Press ; ‡qpaperback)
020 ‡a9780300220094 ‡q(Yale University Press ; ‡qpaperback)
020 ‡a9462300968 ‡q(Mercatorfonds ; ‡qpaperback)
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037 ‡bYale Univ Pr, C/O Triliteral Llc 100 Maple Ridge Dr, Cumberland, RI, USA, 02864-1769, (401)6584226 ‡nSAN 631-8126
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245 0 0 ‡aDrawing : ‡bthe bottom line / ‡cedited by Philippe Van Cauteren and Martin Germann.
264 4 ‡c©2015
264 2 ‡aNew Haven : ‡bDistributed by Yale University Press
264 1 ‡aBrussels : ‡bMercatorfonds, ‡c[2015]
300 ‡a235 pages : ‡billustrations (some color) ; ‡c31 cm
336 ‡astill image ‡bsti ‡2rdacontent
336 ‡atext ‡btxt ‡2rdacontent
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500 ‡aPublished on the occasion of an exhibition held at the S.M.A.K., Museum for Contemporary Art, Ghent, October 10, 2015- January 31, 2016.
504 ‡aIncludes bibliographical references.
505 0 0 ‡tThe freedom of art lives in the drawing / ‡rPhilippe Van Cauteren & Martin Germann -- ‡gArtists -- ‡tDrawn to that moment / ‡rJohn Berger.
520 2 ‡a"Presents the works of fifty-three artists from around the globe, all working within the medium of drawing and exploiting its versatile nature in a wide variety of ways. From brief sketches to fully realized and complex constructions, drawing provides the preliminary foundation for all of these works, whether they are simply functional process materials or products of careful consideration. This extensive survey features works from a wide range of prominent contemporary art figures, including Francis Alÿs, Paul McCarthy, Tacita Dean, Roni Horn, Gabriel Orozco, Raymond Pettibon, and many others, as well as written contributions and short introductory texts from dozens of renowned critical voices, many of which have been selected by the artists themselves. Furthermore, the volume contains an essay by influential British writer John Berger. While drawing is often thought of as an incomplete or loosely defined form, this unique anthology and the varying practices of its participants help to demonstrate drawing's extraordinarily distinctive properties and nearly infinite possibilities, affirming its significance as an artistic language"--Back cover.
538 ‡aMode of access: Internet.
648 7 ‡a2000-2099 ‡2fast
650 7 ‡aDrawing. ‡2fast ‡0(OCoLC)fst00897725
650 7 ‡aDrawing ‡vExhibitions ‡z21st century. ‡2cct
650 0 ‡aDrawing ‡y21st century ‡vExhibitions.
655 7 ‡aExhibition catalogs. ‡2lcgft
655 7 ‡aExhibition catalogs. ‡2fast ‡0(OCoLC)fst01424028.
700 1 ‡aGermann, Martin, ‡d1974- ‡eeditor.
700 1 ‡aCauteren, Philippe van, ‡eeditor.
710 2 ‡aStedelijk Museum voor Actuele Kunst (Ghent, Belgium), ‡ehost institution.
CID ‡a102871691
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