Aby Warburg : Bilderatlas Mnemosyne -- the original

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035 ‡a(OCoLC)1154002963
245 0 0 ‡aAby Warburg : ‡bBilderatlas Mnemosyne -- the original / ‡cRoberto Ohrt amd Axel Heil ; in cooperation with the Warburg Institute and Haus der Kulturen der Welt ; texts, Axel Heil [and four others].
246 3 0 ‡aBilderatlas Mnemosyne -- the original
264 4 ‡c©2020
264 1 ‡aBerlin : ‡bHKW, Haus der Kulturen der Welt ; ‡aLondon : ‡bThe Warburg Institute ; ‡aBerlin : ‡bHatje Cantz, ‡c[2020]
300 ‡a183 pages : ‡billustrations (some color), facsimiles, map, portraits ; ‡c62 cm
336 ‡atext ‡btxt ‡2rdacontent
336 ‡astill image ‡bsti ‡2rdacontent
337 ‡aunmediated ‡bn ‡2rdamedia
338 ‡avolume ‡bnc ‡2rdacarrier
504 ‡aIncludes bibliographical references (page 180) and index.
505 0 0 ‡tUnder the sign of Mnemosyne / ‡rBill Sherman -- ‡gThe ‡tBilderatlas in the 21st century / ‡rBernd Scherer -- ‡gThe ‡tMnemosyne and its afterlife / ‡rRoberto Ohrt and Axel Heil -- ‡gThe ‡tmaking of Warburg's Bilderatlas Mnemosyne / ‡rClaudia Wedepohl -- ‡tFragment of an introduction to the Bilderatlas Mnemosyne / ‡rAby Warburg ; with an editorial note by Claudia Wedepohl -- ‡tOn the recovery of the Bilderatlas Mnemosyne and the actual state of the captions / ‡rRoberto Ohrt and Axel Heil -- ‡gKey to captions -- ‡tBilderatlas Mnemosyne -- ‡gPreliminary versions and unnumbered panels -- ‡gConcordance. ...
520 ‡aFrom 1925 until his death in 1929 the Hamburg-based art and cultural scholar Aby Warburg worked on his Mnemosyne Atlas, a volume of plates that has, in the meanwhile, taken on mythical status in the study of modern art and visual studies. With this project, Warburg created a visual reference system that was far ahead of its time. In cooperation with the Warburg Institute, Roberto Ohrt and Axel Heil have now undertaken the task of finding all of the individual pictures from the atlas and displaying these reproductions of artworks from the Middle East, European antiquity, and the Renaissance in the same way that Warburg himself showed them, on panels hung with black fabric. This folio volume and the exhibition in Haus der Kulturen der Welt, Berlin succeed in restoring Warburg's vanished legacy something that researchers have long considered impossible. -- ABY WARBURG (1866-1929), scion of a Hamburg banking family, completed his doctorate in 1892 on the Italian Renaissance painter Sandro Botticelli. As a result, he comprehensively studied the interplay of myths, images and rites from different cultural contexts. This lead him to his main subject matter: the afterlife of antiquity in the Renaissance. With his attempt to break down the rigid boundaries of art history, Warburg is regarded as one of the fathers of modern pictorial science.
538 ‡aMode of access: Internet.
585 ‡aCatalog of an exhibition held at the Haus der Kulturen der Welt, Berlin, April 2 - June 22, 2020.
600 1 0 ‡aWarburg, Aby, ‡d1866-1929. ‡tMnemosyne ‡vExhibitions.
650 0 ‡aMnemonics ‡vExhibitions.
650 0 ‡aArt and society ‡vExhibitions.
650 0 ‡aArt, European ‡xHistory ‡vExhibitions.
650 0 ‡aArt ‡xHistoriography ‡vExhibitions.
655 7 ‡aExhibition catalogs. ‡2lcgft
700 1 2 ‡iContainer of (work): ‡aWarburg, Aby, ‡d1866-1929. ‡tMnemosyne.
700 1 ‡aHeil, Axel, ‡eeditor, ‡ewriter of supplementary textual content.
700 1 ‡aOhrt, Roberto, ‡eeditor, ‡ewriter of supplementary textual content.
710 2 ‡aHaus der Kulturen der Welt, ‡ehost institution.
710 2 ‡aWarburg Institute, ‡esponsoring body.
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DAT 1 ‡a20210524091042.0 ‡b2021-05-27T17:31:46Z
DAT 2 ‡a2021-05-27T17:30:02Z
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