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| 008 | 151015s2016 maua b 001 0 eng | ||
| 010 | ⊔ | ⊔ | ‡a 2015039695 |
| 020 | ⊔ | ⊔ | ‡a0262034123 ‡q(hardcover ; ‡qalk. paper) |
| 020 | ⊔ | ⊔ | ‡a9780262034128 ‡q(hardcover ; ‡qalk. paper) |
| 035 | ⊔ | ⊔ | ‡asdr-ucbk.b234273240 |
| 040 | ⊔ | ⊔ | ‡aDLC ‡beng ‡erda ‡cDLC ‡dYDXCP ‡dBTCTA ‡dOCLCF ‡dBDX ‡dMYG ‡dOSU ‡dIDU ‡dOCL ‡dOCLCQ ‡dUX0 ‡dCUY |
| 042 | ⊔ | ⊔ | ‡apcc |
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| 050 | 0 | 0 | ‡aN7355.4 ‡b.T66 2016 |
| 082 | 0 | 0 | ‡a709.52/0904 ‡223 |
| 035 | ⊔ | ⊔ | ‡a(OCoLC)925410899 |
| 100 | 1 | ⊔ | ‡aTomii, Reiko, ‡eauthor. |
| 245 | 1 | 0 | ‡aRadicalism in the wilderness : ‡binternational contemporaneity and 1960s art in Japan / ‡cReiko Tomii. |
| 264 | ⊔ | 4 | ‡c©2016 |
| 264 | ⊔ | 1 | ‡aCambridge, Massachusetts : ‡bThe MIT Press, ‡c[2016] |
| 300 | ⊔ | ⊔ | ‡axviii, 293 pages : ‡billustrations (some color) ; ‡c24 cm |
| 336 | ⊔ | ⊔ | ‡atext ‡btxt ‡2rdacontent |
| 337 | ⊔ | ⊔ | ‡aunmediated ‡bn ‡2rdamedia |
| 338 | ⊔ | ⊔ | ‡avolume ‡bnc ‡2rdacarrier |
| 504 | ⊔ | ⊔ | ‡aIncludes bibliographical references (pages 265-276) and index. |
| 505 | 0 | 0 | ‡aMachine generated contents note: ‡tThree in the wilderness -- ‡t1964, Shimo Suwa: Matsuzawa Yutaka -- ‡t1968, Shionomisaki: The Play -- ‡t1970, Niigata: GUN -- ‡tWhere was the Wilderness? -- ‡tLinking Local and Global -- ‡g1. ‡tIntroduction to "International Contemporaneity" and "Contemporary Art" -- ‡tProposal for Methodology: "International Contemporaneity" and Beyond -- ‡tBrief Note on "International Contemporaneity" -- ‡t"Contemporaneity" as a Geohistorical Concept -- ‡tComparing "Similar yet Dissimilar": "Connections" and "Resonances" -- ‡tExploding the Narrative: Contemporaneity and "Narrative Tangents" -- ‡tOverview of History: The Rise of "Contemporary Art" -- ‡tExpanded 1960s of Japanese Art -- ‡tMainstreaming of the Avant-Garde: Another Post-Yomiuri Story -- ‡tDiscursive Origins of International Contemporaneity in 1960s Japan -- ‡g2. ‡tMatsuzawa Yutaka's Wilderness of Nil -- ‡tMaking of Mr. Psi: Toward Conceptualism -- ‡tTransdisciplinary Mind: From Shimo Suwa to New York and Back -- ‡tTheory and Practice of Psi: Before "Revelation" -- ‡tNascent Conceptualism: Apparatus, Operation Manual, Container -- ‡tMatsuzawa's Radical Reconstruction of Art -- ‡tLegend (De)constructed: The Beginning of "Art of Kannen" -- ‡tVanishing Acts as "Anti-Civilization" -- ‡tWhite Circle: An Exercise in Non-Sensory Painting -- ‡g3. ‡tPlay's Collective Voyages into the Wilderness -- ‡tPrehistories in the Post-Yomiuri Years -- ‡tIndependent Art Festival in Gifu -- ‡tIkemizu Keiichi Was Homo Sapiens -- ‡tEarly Years: A Gathering of Happeners -- ‡tInto the Wilderness -- ‡tLaunching Voyage -- ‡tPlay's Collectivism -- ‡tDestinations in Nature Near and Far -- ‡g4. ‡tGun's Aspirations from the Wilderness -- ‡tTokyo as A Distant Center: Gun's Early Years -- ‡tWilderness Potential: Closing the Distance and Engaging the Social -- ‡tStones of the Shinano River: Horikawa Michio's Mail Art -- ‡tSnow in Niigata: GUN's Land Art -- ‡tAnti-Military Soldier in Sado: GUN's Political Turns -- ‡g5. ‡tConnection Studies -- ‡tFollowing Narrative Tangents -- ‡tTokyo Biennale 1970 as a Contact Point -- ‡tMatsuzwa Yutaka's Communal Internationalism -- ‡tLanguage Matters -- ‡tPlay's Happenings Discourse -- ‡tGainen (Concept) versus Kannen (Idea) -- ‡g6. ‡tResonance Studies -- ‡tMatsuzawa Yutaka's Conceptualism Compared -- ‡tIn a Spectrum of Immateriality -- ‡tJapanese Pioneers: Matsuzawa Yutaka, Yoko Ono, and On Kawara -- ‡tLand Art: Digging into the Local -- ‡t"Culture of Showing" and Photography -- ‡tTogether in Nature Nearby -- ‡tEPILOGUE -- ‡tThree in the World -- ‡t2008, Norwich: Horikawa Michio -- ‡t2009, New York: Matsuzawa Yutaka -- ‡t2012, Paris: The Play -- ‡tRegrouping in an Open Field -- ‡tAPPENDIX: SELECT TRANSLATION OF MATSUZAWA YUTAKA'S WORKS -- ‡tOn Another Work in Another Container, or on Cutting (1963) -- ‡tBrief Report on the Discovery of the Beginning of Non-Sensory Painting (1964) -- ‡tPsi Corpse (1964) -- ‡tVoid: Collective Participation of "Anti-Civilization" School (1965). |
| 538 | ⊔ | ⊔ | ‡aMode of access: Internet. |
| 648 | ⊔ | 7 | ‡a1900-1999 ‡2fast |
| 650 | ⊔ | 7 | ‡aContemporary, The, in art. ‡2fast ‡0(OCoLC)fst01902888 |
| 650 | ⊔ | 7 | ‡aArt, Japanese. ‡2fast ‡0(OCoLC)fst00816467 |
| 650 | ⊔ | 0 | ‡aContemporary, The, in art. |
| 650 | ⊔ | 0 | ‡aArt, Japanese ‡y20th century. |
| CID | ⊔ | ⊔ | ‡a102823184 |
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