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| 001 | 101797030 | ||
| 003 | MiAaHDL | ||
| 005 | 20170109000000.0 | ||
| 006 | m d | ||
| 007 | cr bn ---auaua | ||
| 008 | 120828s2013 waua bc s001 0 eng | ||
| 010 | ⊔ | ⊔ | ‡a2012033300 |
| 019 | ⊔ | ⊔ | ‡a817594045 |
| 020 | ⊔ | ⊔ | ‡a0295992514 (paper-over-boards : alk. paper) |
| 020 | ⊔ | ⊔ | ‡a9780295992518 (paper-over-boards : alk. paper) |
| 035 | ⊔ | ⊔ | ‡asdr-ucsd.b81568976 |
| 035 | ⊔ | ⊔ | ‡a(OCoLC)808684620 |
| 040 | ⊔ | ⊔ | ‡aDLC ‡beng ‡erda ‡cDLC ‡dYDX ‡dYDXCP ‡dBTCTA ‡dWAU ‡dOCLCQ ‡dMUU ‡dOCLCF ‡dUtOrBLW |
| 042 | ⊔ | ⊔ | ‡apcc |
| 050 | 0 | 0 | ‡aTR679 ‡b.W54 2013 |
| 082 | 0 | 0 | ‡a779/.974692 ‡223 |
| 100 | 1 | ⊔ | ‡aWillis, Deborah, ‡d1948- |
| 245 | 1 | 0 | ‡aOut [o] fashion photography : ‡bembracing beauty / ‡cDeborah Willis ; foreword by Sylvia Wolf |
| 246 | 3 | ⊔ | ‡aOut of fashion photography |
| 264 | ⊔ | 1 | ‡aSeattle : ‡bHenry Art Gallery, University of Washington, in association with University of Washington Press, ‡c[2013] |
| 300 | ⊔ | ⊔ | ‡a143 pages : ‡bchiefly illustrations (some color) ; ‡c32 cm |
| 336 | ⊔ | ⊔ | ‡astill image ‡bsti ‡2rdacontent |
| 336 | ⊔ | ⊔ | ‡atext ‡btxt ‡2rdacontent |
| 337 | ⊔ | ⊔ | ‡aunmediated ‡bn ‡2rdamedia |
| 338 | ⊔ | ⊔ | ‡avolume ‡bnc ‡2rdacarrier |
| 500 | ⊔ | ⊔ | ‡aIncludes images from the 19th through the 21st century by Diane Arbus, Cecil Beaton, Imogen Cunningham, Gertrude Kasebier, Andy Warhol, Garry Winograd, and others |
| 504 | ⊔ | ⊔ | ‡aIncludes bibliographical references and index |
| 505 | 0 | ⊔ | ‡aForeword and acknowledgments / Sylvia Wolf -- Out [o] fashion photography: Embracing beauty / Deborah Willis -- Plates. Imagined identities ; Fashioning the body ; The speculative pose ; Exhibition checklist |
| 520 | ⊔ | ⊔ | ‡a"Out [o] Fashion Photography: Embracing Beauty investigates the transformative experience of the photograph. In this book Deborah Willis explores historical perceptions of beauty and desire through artistic and ethnographic imagery and the role individual photographers play in constructing ways of seeing. Through the themes of idealized beauty, the unfashionable body, the gendered image, and photography as memory, Willis challenges and makes problematic the "reading" of photographic images in the twenty-first century. Working from the significant photographic holdings of the University of Washington's Henry Art Gallery, and the University of Washington Libraries, Special Collections, the author examines shifting gender attitudes that emerged in work by women photographers such as Gertrude Käsebier and Diane Arbus. Willis discusses ethnographic ideologies underpinning the work of Edward Sheriff Curtis and Fred E. Miller who worked with Native American subjects, as well as the framing and reframing of images of black people in the work of Samuel Montague Fassett and Carrie Mae Weems. Additionally, the effects of fashion and desire on the imaging of beauty are examined in the work of such artists as Don Wallen, Janieta Eyre, and Jan Saudek. The book includes full-page illustrations of works by more than fifty internationally recognized photographers."--Publisher's website |
| 538 | ⊔ | ⊔ | ‡aMode of access: Internet. |
| 650 | ⊔ | 0 | ‡aPortrait photography ‡vExhibitions |
| 650 | ⊔ | 0 | ‡aFashion photography ‡vExhibitions |
| 655 | ⊔ | 7 | ‡aExhibition catalogs. ‡2fast ‡0(OCoLC)fst01424028 |
| 710 | 2 | ⊔ | ‡aHenry Art Gallery |
| CID | ⊔ | ⊔ | ‡a101797030 |
| DAT | 0 | ⊔ | ‡a20140501124438.0 ‡b20170109000000.0 |
| DAT | 1 | ⊔ | ‡a20170107090611.0 ‡b2023-10-26T17:52:46Z |
| CAT | ⊔ | ⊔ | ‡aSDR-UCSD ‡dIII - MILLENIUM ‡lprepare.pl-004-007 |
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| 974 | ⊔ | ⊔ | ‡bUC ‡cUCSD ‡d20231026 ‡sgoogle ‡uuc1.31822040876310 ‡y2013 ‡ric ‡qbib ‡tUS bib date1 >= 1929 |