| LDR | 01181cam a22002771 4500 | ||
| 001 | 100619770 | ||
| 003 | MiAaHDL | ||
| 005 | 20150713000000.0 | ||
| 006 | m d | ||
| 007 | cr bn ---auaua | ||
| 008 | 981021s1875 enk 000 0 eng | ||
| 010 | ⊔ | ⊔ | ‡a 12036115 //r96 |
| 035 | ⊔ | ⊔ | ‡asdr-coo3313925 |
| 035 | ⊔ | ⊔ | ‡a(OCoLC)5425853 |
| 040 | ⊔ | ⊔ | ‡aDLC ‡cDLC |
| 050 | 0 | 0 | ‡aPN2185 ‡b.L5 1875b |
| 100 | 1 | ⊔ | ‡aLewes, George Henry, ‡d1817-1878 |
| 245 | 1 | 0 | ‡aOn actors and the art of acting, ‡cby George Henry Lewes. |
| 260 | ⊔ | ⊔ | ‡aLondon, ‡bSmith, Elder, & co., ‡c1875. |
| 300 | ⊔ | ⊔ | ‡axiv, 278 p. ‡c19 cm. |
| 505 | 0 | ⊔ | ‡aEdmund Kean.--Charles Kean.--Rachel.--Macready.--Farren.--Charles Mathews.--Frédéric Lemaitre.--The two Keeleys.--Shakspeare as actor and critic.--On natural acting.--Foreign actors on our stage.--The drama in Paris, 1865.--The drama in Germany, 1867.--The drama in Spain, 1867.--First impressions of Salvini, 1875. |
| 538 | ⊔ | ⊔ | ‡aMode of access: Internet. |
| 648 | ⊔ | 7 | ‡a1800 - 1899 ‡2fast |
| 650 | ⊔ | 7 | ‡aTheater ‡2fast ‡0(OCoLC)fst01149217 |
| 650 | ⊔ | 7 | ‡aActors ‡2fast ‡0(OCoLC)fst00796296 |
| 650 | ⊔ | 7 | ‡aActing ‡2fast ‡0(OCoLC)fst00796146 |
| 650 | ⊔ | 0 | ‡aTheater ‡xHistory ‡y19th century. |
| 650 | ⊔ | 0 | ‡aActing. |
| 650 | ⊔ | 0 | ‡aActors. |
| 655 | ⊔ | 7 | ‡aHistory ‡2fast ‡0(OCoLC)fst01411628 |
| CID | ⊔ | ⊔ | ‡a100619770 |
| DAT | 0 | ⊔ | ‡a20141219203159.0 ‡b20150713000000.0 |
| DAT | 1 | ⊔ | ‡a20171127154747.0 ‡b2017-11-28T05:44:59Z |
| DAT | 2 | ⊔ | ‡a2015-07-18T18:00:03Z ‡b2015-09-16T20:00:03Z |
| CAT | ⊔ | ⊔ | ‡aSDR-COO ‡dEX LIBRIS - VOYAGER ‡lprepare.pl-004-007 |
| FMT | ⊔ | ⊔ | ‡aBK |
| HOL | ⊔ | ⊔ | ‡0sdr-coo3313925 ‡acoo1 ‡bSDR ‡cCOO ‡pcoo1.ark:/13960/t1cj8zw27 ‡sCOO ‡13313925 ‡8ia.cu31924026122527 |
| 974 | ⊔ | ⊔ | ‡8ia.cu31924026122527 ‡bCOO ‡cCOO ‡d20171128 ‡scornell-ms ‡ucoo1.ark:/13960/t1cj8zw27 ‡y1875 ‡rpd ‡qadd |