| LDR | 00750cam a2200229 4500 | ||
| 001 | 100488244 | ||
| 003 | MiAaHDL | ||
| 005 | 20150713000000.0 | ||
| 006 | m d | ||
| 007 | cr bn ---auaua | ||
| 008 | 850802c19011895mauf 000 0 eng d | ||
| 010 | ⊔ | ⊔ | ‡a 11021536 |
| 035 | ⊔ | ⊔ | ‡asdr-coo626768 |
| 035 | ⊔ | ⊔ | ‡asdr-hvd.990051638510203941 |
| 035 | ⊔ | ⊔ | ‡a(OCoLC)4233401 |
| 040 | ⊔ | ⊔ | ‡aNN ‡cCMalG ‡dCSt ‡dNIC |
| 043 | ⊔ | ⊔ | ‡ae-fr--- |
| 050 | 0 | ⊔ | ‡aND547 ‡b.H35 |
| 100 | 1 | ⊔ | ‡aHamerton, Philip Gilbert, ‡d1834-1894. |
| 245 | 1 | 0 | ‡aPainting in France, after the decline of classicism. ‡bAn essay. |
| 260 | ⊔ | ⊔ | ‡aBoston, ‡bLittle, Brown, ‡c1901[c1895] |
| 300 | ⊔ | ⊔ | ‡a125 p. ‡bplates. ‡c19 cm. |
| 538 | ⊔ | ⊔ | ‡aMode of access: Internet. |
| 650 | ⊔ | 7 | ‡aPainting ‡2fast ‡0(OCoLC)fst01050567 |
| 650 | ⊔ | 0 | ‡aPainting ‡zFrance ‡xHistory. |
| 651 | ⊔ | 7 | ‡aFrance ‡2fast ‡0(OCoLC)fst01204289 |
| 655 | ⊔ | 7 | ‡aHistory ‡2fast ‡0(OCoLC)fst01411628 |
| CID | ⊔ | ⊔ | ‡a100488244 |
| DAT | 0 | ⊔ | ‡a20141110211500.0 ‡b20150713000000.0 |
| DAT | 1 | ⊔ | ‡a20171127154747.0 ‡b2017-11-28T04:19:33Z |
| DAT | 2 | ⊔ | ‡a2015-07-18T18:00:03Z |
| CAT | ⊔ | ⊔ | ‡aSDR-COO ‡dEX LIBRIS - VOYAGER ‡lprepare.pl-004-007 |
| FMT | ⊔ | ⊔ | ‡aBK |
| HOL | ⊔ | ⊔ | ‡0sdr-coo626768 ‡acoo1 ‡bSDR ‡cCOO ‡pcoo1.ark:/13960/t46q2h94x ‡sCOO ‡1626768 ‡8ia.cu31924008752622 |
| 974 | ⊔ | ⊔ | ‡8ia.cu31924008752622 ‡bCOO ‡cCOO ‡d20171128 ‡scornell-ms ‡ucoo1.ark:/13960/t46q2h94x ‡y1901 ‡rpd ‡qbib ‡tUS bib date1 < 1930 |
| 974 | ⊔ | ⊔ | ‡bHVD ‡cHVD ‡d20241220 ‡sgoogle ‡uhvd.hn5au6 ‡y1901 ‡rpd ‡qbib ‡tUS bib date1 < 1930 |