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‡aBaxandall, Michael,
‡einterviewee.
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‡aSubstance, sensation, and perception :
‡bMichael Baxandall /
‡cinterviewed by Richard Cándida Smith ; Art History Oral Documentation Project compiled under the auspices of the Getty Center for the History of Art and the Humanities.
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‡aMichael Baxandall
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‡c©1998
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‡a[Los Angeles] :
‡bThe J. Paul Getty Trust,
‡c[1998]
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‡axiv, 178 leaves :
‡b1 illustration ;
‡c28 cm
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‡atext
‡2rdacontent
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‡aunmediated
‡2rdamedia
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‡avolume
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‡aIncludes bibliographical references and index.
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‡aOpen for qualified researchers.
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‡aTranscript of an interview conducted for the Oral Documentation Project at the Getty Research Institute. The project began in 1991 as a collaboration with the Oral History Program at the University of California, Los Angeles (UCLA), and was later solely operated by the Getty.
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‡aMode of access: Internet.
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‡nTranscripts of the interviews jointly sponsored by the Getty and UCLA are also located at UCLA and in the Bancroft Library at Berkeley.
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‡aBritish-born art historian Michael Baxandall (1933-2008) has been widely influential for his analytical method, "the period eye," which he described in Painting and Experience in 15th-Century Italy (1972). He prepared a doctoral thesis under Ernst Gombrich at the Warburg Institute. In 1961, he was appointed assistant keeper in the Department of Architecture and Sculpture at the Victoria and Albert Museum and later became Slade professor at Oxford and a lecturer at the University of London. Beginning in the 1980s he taught in the United States, first at Cornell University and later at the University of California, Berkeley.
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‡aForms of part: Interviews with art historians (Special Collections, accn. 940109)
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‡aBaxandall, Michael
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‡aArt historians
‡vInterviews.
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‡aInterviews.
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‡aCándida Smith, Richard,
‡einterviewer.
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‡aJ. Paul Getty Trust,
‡epublisher.
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‡aGetty Center for the History of Art and the Humanities,
‡ecompiler.
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‡tInterviews with art historians.
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