Snapshot : painters and photography, Bonnard to Vuillard

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020 ⊔ ⊔ ‡a0300172362 (cloth, Yale)
020 ⊔ ⊔ ‡a9780300172362 (cloth, Yale)
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050 0 0 ‡aTR71 ‡b.S63 2012
082 0 0 ‡a779.0944/074 ‡223
245 0 0 ‡aSnapshot : ‡bpainters and photography, Bonnard to Vuillard / ‡cedited by Elizabeth W. Easton ; with contributions by Clément Chéroux [and others]
260 ⊔ ⊔ ‡aNew Haven ; ‡aLondon : ‡bYale University Press, ‡c2012
300 ⊔ ⊔ ‡axiii, 234 pages : ‡billustrations, plates, photographs ; ‡c30 cm
336 ⊔ ⊔ ‡atext ‡btxt ‡2rdacontent
337 ⊔ ⊔ ‡aunmediated ‡bn ‡2rdamedia
338 ⊔ ⊔ ‡avolume ‡bnc ‡2rdacarrier
500 ⊔ ⊔ ‡aIssued in connection with exhibitions held October 14, 2011-January 8, 2012, Van Gogh Museum, Amsterdam, February 4-May 6, 2012, The Phillips Collection, Washington, D.C., and June 8-September 2, 2012, Indianapolis Museum of Art
504 ⊔ ⊔ ‡aIncludes bibliographical references and index
505 0 0 ‡tInnovative devices: George Eastman and the handheld camera / ‡rTodd Gustavson -- ‡tThe new truths of the snapshot / ‡rMichel Frizot -- ‡tA sense of context: amateur photography in the late nineteenth century / ‡rClément Chéroux -- ‡tSneak previews: nude photographs by Pierre Bonnard and George Hendrik Breitner / ‡rAnne McCauley -- ‡tPierre Bonnard's amateur photographs: a poetic, dancing world / ‡rFrançoise Heilbrun -- ‡tMovement studies in an urban setting: the photographs of George Hendrik Breitner / ‡rHans Rooseboom -- ‡tPushing the boundaries of the Kodak: Maurice Denis's innovative snapshots / ‡rSaskia Ooms -- ‡tHenri Evenepoel: an abundance of gifts / ‡rEliza Rathbone -- ‡tEngineer of shadow and light: Henri Rivière as photographer / ‡rEllen W. Lee -- ‡tVallotton and photography: freeze frame / ‡rKatia Poletti -- ‡tEdouard Vuillard's photography and the limitations of truth / ‡rElizabeth W. Easton
520 ⊔ ⊔ ‡a"The advent of the Kodak camera in 1888 made photography accessible to amateurs as well as to professionals. Artists were not immune to its allure, and many began experimenting with the camera as a means of capturing images as studies for final works and of observing the world and the people in it. Snapshot investigates seven Post-Impressionist painters and printmakers: Pierre Bonnard, George Hendrik Breitner, Maurice Denis, Henri Evenepoel, Henri Rivière, Félix Vallotton, and Edouard Vuillard. Although celebrated for their works on canvas and paper, these artists also made many personal and informal snapshots. Depicting interiors, city streets, nudes, and portraits, these photographs were kept private and never exhibited. As a result, most have never been published. Juxtaposing personal photographs with the related paintings and prints by these Post-Impressionist artists, Snapshot offers a new perspective on early photography and on the synthesis of painting and photography at the end of the 19th century."--Provided by publisher
538 ⊔ ⊔ ‡aMode of access: Internet.
650 ⊔ 0 ‡aArt and photography ‡vExhibitions
650 ⊔ 0 ‡aPhotography ‡zFrance ‡xHistory ‡y19th century ‡vExhibitions
655 ⊔ 7 ‡aHistory. ‡2fast ‡0(OCoLC)fst01411628
655 ⊔ 7 ‡aExhibition catalogs. ‡2fast ‡0(OCoLC)fst01424028
700 1 ⊔ ‡aChéroux, Clément, ‡d1970-
700 1 ⊔ ‡aEaston, Elizabeth Wynne
710 2 ⊔ ‡aIndianapolis Museum of Art
710 2 ⊔ ‡aPhillips Collection
710 2 ⊔ ‡aVan Gogh Museum, Amsterdam
CID ⊔ ⊔ ‡a011192471
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