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‡aWL500013
‡bW. Leupold
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‡a(MiU)990085840030106381
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‡aMT195
‡b.H578 vol.8 2004
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‡aM 7 .H67 1994 v.8
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‡aItaly, 1725-1830 /
‡cedited by Calvert Johnson.
|
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⊔ |
⊔ |
‡aColfax, N.C. :
‡bWayne Leupold Editions ;
‡aBoston Mass. :
‡bSole selling agent, ECS Publishing,
‡cc2004.
|
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⊔ |
⊔ |
‡a128 p. of music :
‡bill., map, facsims. ;
‡c31 cm.
|
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⊔ |
‡aOrgan pedagogical materials
|
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‡aHistorical organ techniques and repertoire ;
‡vv. 8
|
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⊔ |
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‡aIntrod., history, and information on organ techniques, p. 5-80; tables of fingerings, p. 43, 54.
|
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⊔ |
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‡aGeneral editor of series: Wayne Leupold.
|
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⊔ |
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‡aIncludes bibliographical references (p. 78-80) and discography (p. 10).
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‡aKyrie versets (Missa Solemnis); Offertorio (Missa Solemnis) / Giovanni Battista Martini -- Offertorio [II] / Giuseppe Gherardeschi -- Grave / Carlo Gervasoni -- All' Elevazione; Post Communio (Missa Solemnis) / Giovanni Battista Martini -- Pastorale / Anonymous -- Andante per la Benedizione / Gian Domenico Cattenacci -- Sonata per organo [in F major] / Giovanni Battista Pergolesi -- Sonata III / Ignazio Cirri -- Sonata [VII] per organo doppio concer[tat]a con trombe -- Sonata III: Rondo grazioso [principali, e tromboncini]; Sonata VI: Siciliana [Addagio: principali e voce umana] / Gaetano Valerj -- Sonata per organo a guisa di banda militare che suona una marchia / Giuseppe Gherardeschi.
|
505 |
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‡aPedaling -- Articulation and other concerns: Eighteenth century; Doublings; Picardy third endings -- Ornamentation. Sources; Free passagework and cadenzas; Small ornaments: Appoggiatura; Slide; Trill; Mordent; Turn; Arpeggio; Acciaccatura; Summary -- Tempo -- Sources: Performance practices; Major composers for keyboard instruments (modern editions); Modern anthologies; Books and articles in English.
|
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‡aPosture and hand position -- Fingering. Sources; Principal fingers and correlation between fingering and meter; Scale passages: The systems of Della Ciaja, Prelleur, Gervasoni; The nearly modern system of Pasquali, Manfredini, and Bach/Ricci; Adjacent notes; Repeated notes; Sequences; Substitution; Five-finger position; Use of the thumb and little finger; Intervals and chords; Suspensions; Parallel thirds; Voice distribution --
|
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‡aIntroduction. History of Italy; The earliest organs in Italy; Liturgical use of the organ in Italy; Playing with good taste; Short octave keyboard; Editorial method; Recordings -- Types of composition -- The organs. Specifications and stoplists: Classical Renaissance Italian organs; Central Italian (Tuscan) Baroque organs; Central Italian (Tuscan) mid-eighteenth century organs; Central Italian (Tuscan) late eighteenth-early nineteenth-century organs; Venetian Baroque and Classical organs; Historical firsts in Italian organ design. Organ registration: Flemish influence, seventeenth century; Mid-eighteenth century; Late eighteenth-early nineteenth centuries --
|
538 |
⊔ |
⊔ |
‡aMode of access: Internet.
|
650 |
⊔ |
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‡aOrgan (Musical instrument)
‡xConstruction.
|
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⊔ |
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‡aPerformance practice (Music)
‡zItaly
‡xHistory
‡y19th century.
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‡aPerformance practice (Music)
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‡aOrgan music
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‡aOrgan music
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‡y18th century.
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‡aOrgan (Musical instrument)
‡zItaly
‡y19th century.
|
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⊔ |
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‡aOrgan (Musical instrument)
‡zItaly
‡y18th century.
|
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⊔ |
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‡aOrgan (Musical instrument)
‡xHistory.
|
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⊔ |
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‡aOrgan (Musical instrument)
‡xRegistration.
|
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⊔ |
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‡aOrgan (Musical instrument)
‡xInstruction and study.
|
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⊔ |
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‡aOrgan music
‡vInstructive editions.
|
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⊔ |
‡aLeupold, Wayne.
|
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⊔ |
‡aJohnson, Calvert,
‡d1949-
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‡a39015077140153
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‡a2023-11-20T18:30:02Z
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