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| 090 | ⊔ | ⊔ | ‡b917.J76.e |
| 100 | 1 | 0 | ‡aJones, Edmund D. ‡q(Edmund David) |
| 245 | 1 | 0 | ‡aEnglish critical essays (nineteenth century) ‡cselected and ed. by Edmund D. Jones. |
| 260 | 0 | ⊔ | ‡aLondon, ‡aNew York [etc.] ‡bH. Milford, Oxford University Press ‡c[1924] |
| 300 | ⊔ | ⊔ | ‡aviii, 610 p. ‡c16 cm. |
| 490 | 0 | ⊔ | ‡aWorld's classics. ‡vCCVI |
| 505 | 0 | ⊔ | ‡aWordworth, William. Poetry and poetic diction. (1800)--Coleridge, S.T. Wordsworth's theory of diction. (1817)--Metrical composition. (1817)--Blake, William. The Canterbury pilgrims. (1809)--Lamb, Charles. On the tragedies of Shakespeare, considered with reference to their fitness for stage representation. (1811)--Shelley, P.B. A defence of poetry. (1821)--Hazlitt, William. My first acquaintance with poets. (1823)--Keble, John. Sacred poetry. (1825)--Newman, J.H. Poetry with reference to Aristotles's Poetics. (1829)--Carlyle, Thomas. The hero as poet. Dante; Shakespeare. (1840) |
| 505 | 0 | ⊔ | ‡a--Hunt, J.H.L. An answer to the question: What is poetry? (1844)--Arnold, Matthew. The choice of subjects in poetry. (1853)--Ruskin, John. Of the pathetic fallacy. (1856)--Mill, J.S. Thoughts on poetry and its varieties. (1833, revised 1859)--Bagehot, Walter. Wordsworth, Tennyson, and Browning; or, Pure, ornate and grotesque art in English poetry. (1864)--Pater, W.H. Coleridge's writings. (1866)--Emerson, R.W. Shakespeare, or, The poet. (1850)--Lowell, J.R. Wordsworth. (1875) |
| 538 | ⊔ | ⊔ | ‡aMode of access: Internet. |
| 650 | ⊔ | 0 | ‡aCriticism ‡zGreat Britain. |
| 650 | ⊔ | 0 | ‡aEnglish poetry ‡y19th century ‡xHistory and criticism. |
| 650 | ⊔ | 0 | ‡aEnglish essays. |
| 650 | ⊔ | 0 | ‡aPoetry. |
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