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| 245 | 0 | 0 | ‡aSensorium : ‡bembodied experience, technology, and contemporary art / ‡cedited by Caroline A. Jones ; essays by Bill Arning ... [et al.] ; abecedarius entries by Bill Arning ... [et al.] ; artist statements by Mathieu Briand ... [et al.]. |
| 246 | 3 | 0 | ‡aEmbodied experience, technology, and contemporary art |
| 250 | ⊔ | ⊔ | ‡a1st MIT Press ed. |
| 260 | ⊔ | ⊔ | ‡aCambridge, Mass. : ‡bMIT Press ; ‡bThe MIT List Visual Arts Center, ‡c2006. |
| 300 | ⊔ | ⊔ | ‡a258 p. : ‡bill. (some col.) ; ‡c25 cm. |
| 500 | ⊔ | ⊔ | ‡aPublished to accompany a two part exhibition, held at the MIT LIst Visual Arts Center from October 2006 through April 2007, and featuring works by Mathieu Briand, Janet Cardiff and George Bures Miller, Natascha Sadr Haghighian, Ryoj Ikeda, Christian Jankowski, Bruce Nauman, François Roche and R&Sien(n), Ann Sala, and Sissel Tolaas. |
| 504 | ⊔ | ⊔ | ‡aIncludes bibliographical references (p. 246-[253]). |
| 505 | 0 | ⊔ | ‡aForeword / Jane Farver -- Introduction / Caroline A. Jones -- The Mediated Sensorium / Caroline A. Jones -- Curatorial Essays/Artist Statements: Mathieu Briand / Yuko Hasegawa -- Janet Cardiff and George Bures / Miller Marjory Jacobson -- Natascha Sadr Haghigian / Bill Arning -- Ryoji Ikeda / Yuko Hasegawa -- Christian Jankowski / Bill Arning and Joe Haldeman -- Bruce Nauman / Jane Farver -- François Roche and R & Sie(n) / Jane Farver -- Anri Sala / Marjory Jacobson -- Sissel Tolaas / Bill Arning -- Abecedarius: air / Bruno Latour -- artificial / Mark Doty -- auditory / Michael Bull -- biomimetics / Caroline A. Jones -- compoundings / Donna Haraway -- control / Chris Csikszentmihalyi -- corpus / Stephen Wilson -- decorporealization / Amelia Jones -- ether / Caroline A. Jones -- fragrance -- godscan / Peter Lunenfeld -- hedonics / Barbara Maria Stafford -- identity theft / Caroline Bassett -- ipod / Michael Bull -- kinaesthesia / Zeynep Celik -- labnotation / Yvonne Rainer -- mediation / Michael Bull -- mental image / Stephen M. Kosslyn -- nanofacture / Peter Galison -- networked eyes / William J. Mitchell -- neurodynamics / Barbara Maria Stafford -- neoexistentialism / Joseph Dumit -- ocularity / Martin Jay -- prosthetics / Bill Arning -- remote sensing / Caroline Bassett -- robotics / Chris Csikszentmihalyi -- spectral / Jonathan Crary -- surveillant / Thomas Y. Levin -- synaesthesia / Caroline A. Jones -- tethering / Sherry Turkle -- umami / Hiroko Kikuchi -- utopian body / Michel Foucault -- viral / Neal Stephenson -- wetware / Michael Swanwick and William Gibson -- yuck factor / Caroline Bassett -- zoon / Caroline A. Jones and Donna Haraway. |
| 520 | ⊔ | ⊔ | ‡aThe relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In Sensorium, contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in Sensorium--which accompanies an exhibition at the MIT List Visual Arts Center--captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of Sensorium, scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually. |
| 538 | ⊔ | ⊔ | ‡aMode of access: Internet. |
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| 650 | ⊔ | 0 | ‡aTechnology ‡xSocial aspects ‡xHistory ‡y21st century. |
| 650 | ⊔ | 0 | ‡aTechnology ‡xSocial aspects ‡xHistory ‡y20th century |
| 650 | ⊔ | 0 | ‡aArt, Modern ‡y21st century |
| 650 | ⊔ | 0 | ‡aArt, Modern ‡y20th century |
| 650 | ⊔ | 0 | ‡aArt and technology |
| 655 | ⊔ | 7 | ‡aExhibitions (form) ‡0(NL-LeOCL)088144933 ‡2gtt |
| 655 | ⊔ | 7 | ‡aHistory ‡2fast ‡0(OCoLC)fst01411628 |
| 655 | 0 | 7 | ‡cv ‡aExhibition catalogs. ‡2aat |
| 700 | 1 | ⊔ | ‡aArning, Bill |
| 700 | 1 | ⊔ | ‡aJones, Caroline A. |
| 776 | 0 | 8 | ‡iOnline version: ‡tSensorium. ‡b1st MIT Press ed. ‡dCambridge, Mass. : MIT Press : MIT List Visual Arts Center, 2006 ‡w(OCoLC)1085907805 |
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