LDR | |
01397cam a2200313Ia 4500 |
001 |
|
005560190 |
003 |
|
MiAaHDL |
005 |
|
20210817000000.0 |
006 |
|
m d |
007 |
|
cr bn ---auaua |
008 |
|
070328s2006 nyua bc 000 0deng d |
010 |
⊔ |
⊔ |
‡a2007299938
|
020 |
⊔ |
⊔ |
‡a9780892073559
|
020 |
⊔ |
⊔ |
‡a0892073551
|
035 |
⊔ |
⊔ |
‡a(MiU)990055601900106381
|
035 |
⊔ |
⊔ |
‡asdr-miu.990055601900106381
|
035 |
⊔ |
⊔ |
‡a(OCoLC)99110862
|
035 |
⊔ |
⊔ |
‡z(MiU)Aleph005560190
|
040 |
⊔ |
⊔ |
‡aRVE
‡cRVE
‡dBAKER
‡dYDXCP
‡dBTCTA
‡dVRC
‡dDLC
|
050 |
0 |
0 |
‡aN6537.B223
‡bA4 2006
|
082 |
0 |
0 |
‡a700/.92
‡222
|
245 |
0 |
0 |
‡aBarney / Beuys :
‡ball in the present must be transformed.
|
246 |
1 |
0 |
‡aAll in the present must be transformed
|
260 |
⊔ |
⊔ |
‡aNew York :
‡bSolomon R. Guggenheim Foundation,
‡cc2006.
|
300 |
⊔ |
⊔ |
‡a164 p. :
‡bill. (some col.) ;
‡c25 cm.
|
500 |
⊔ |
⊔ |
‡aPublished on the occasion of the exhibition All in the Present Must be Transformed: Matthew Barney and Joseph Beuys, Deutsche Guggenheim, Berlin, October 28, 2006 - January 12, 2007.
|
505 |
0 |
⊔ |
‡ain potentia: Matthew Barney and Joseph Beuys / Nancy Spector -- Drawings -- Forgery / Mark C. Taylor -- Notes from the laboratory / Christian Scheidemann -- Ritual space/sculptural time / Nat Trotman.
|
538 |
⊔ |
⊔ |
‡aMode of access: Internet.
|
600 |
1 |
0 |
‡aBeuys, Joseph
‡xInfluence.
|
600 |
1 |
0 |
‡aBeuys, Joseph
‡vExhibitions.
|
600 |
1 |
0 |
‡aBarney, Matthew
‡xCriticism and interpretation.
|
600 |
1 |
0 |
‡aBarney, Matthew
‡vExhibitions.
|
710 |
2 |
⊔ |
‡aDeutsche Guggenheim Berlin.
|
CID |
⊔ |
⊔ |
‡a005560190
|
DAT |
0 |
⊔ |
‡a20080328101051.0
‡b20210817000000.0
|
DAT |
1 |
⊔ |
‡a20210928060711.0
‡b2023-04-14T17:51:25Z
|
CAT |
⊔ |
⊔ |
‡aSDR-MIU
‡dALMA
‡lprepare.pl-004-008
|
FMT |
⊔ |
⊔ |
‡aBK
|
HOL |
⊔ |
⊔ |
‡0sdr-miu.990055601900106381
‡aMiU
‡bSDR
‡cMIU
‡pmdp.39015069321381
‡sMIU
‡1990055601900106381
|
974 |
⊔ |
⊔ |
‡bMIU
‡cMIU
‡d20230414
‡sgoogle
‡umdp.39015069321381
‡y2006
‡ric
‡qbib
‡tUS bib date1 >= 1929
|