Art since 1940 : strategies of being

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100 1 ⊔ ‡aFineberg, Jonathan David. ‡eauthor.
245 1 0 ‡aArt since 1940 : ‡bstrategies of being / ‡cJonathan Fineberg.
250 ⊔ ⊔ ‡a2nd ed.
260 ⊔ ⊔ ‡aUpper Saddle River, N.J. : ‡bPrentice Hall, ‡c2000.
300 ⊔ ⊔ ‡a528 pages : ‡billustrations (some color) ; ‡c29 cm
336 ⊔ ⊔ ‡atext ‡btxt ‡2rdacontent
337 ⊔ ⊔ ‡aunmediated ‡bn ‡2rdamedia
338 ⊔ ⊔ ‡avolume ‡bnc ‡2rdacarrier
490 0 ⊔ ‡aClass : Art.
490 0 ⊔ ‡aReserve : Johnson, Denise.
504 ⊔ ⊔ ‡aIncludes bibliographical references (pages 506-511 and index.
505 0 ⊔ ‡aThe landscape of signs : American pop art 1960 to 1965. The electronic consciousness and New York pop -- Andy Warhol -- Roy Lichtenstein -- James Rosenquist -- H.C. Westermann, Peter Saul, and the Hairy Who -- West Coast pop -- Robert Arneson -- In the nature of materials : the later sixties. Back to first principles-- minimal art -- Eva Hesse and investigations of materials and process -- Bruce Nauman and Richard Serra -- Artists working in the landscape -- Arte povera, and a persevering rapport with nature in Europe -- Politics and postmodernism : the transition to the seventies. Re-radicalizing the avant-garde -- Christo and Jeanne-Claude -- Postmodernism -- Surviving the corporate culture of America of the seventies. A new pluralism -- Romare Bearden -- Alice Aycock -- Philip Guston's late style -- Painting at the end of the seventies. New expressionist painting in Europe -- The peculiar case of the Russians -- New imagist painting and sculpture -- The eighties. A fresh look at abstraction -- American neo-expressionism -- Post-modern installation -- Appropriation -- New tendencies of the nineties -- To say the things that are one's own.
505 0 ⊔ ‡aIntroduction -- New York in the forties. New York becomes the center -- The sense of a new movement in New York -- A dialog with Europe. Alexander Calder -- Hans Hofmann -- Arshile Gorky -- Robert Motherwell -- Willem de Kooning -- Existentialism comes to the fore. Jackson Pollock -- Barnett Newman -- Mark Rothko -- David Smith and the sculpture of the New York School -- The new European masters of the late forties. Jean Dubuffet and postwar Paris -- The existentialist figuration of Alberto Giacometti -- Francis Bacon -- Some international tendencies of the fifties. Purified abstraction -- "New images of man" in Europe and America -- The beat generation : the fifties in America. "A Coney Island of the mind" : the Beats and John Cage -- Robert Rauschenberg -- Appropriating the real : junk sculpture and happenings -- Claes Oldenburg -- Jasper Johns -- The European vanguard of the later fifties. Nouveau réalisme -- Joseph Beuys -- British pop : from the Independent Group to David Hockney.
506 ⊔ ⊔ ‡aDistribution is restricted to RFB & D members who have a documented print disability such as a visual impairment, learning disability or other physical disability.
520 ⊔ ⊔ ‡aThis book attempts to survey art from 1940 to the present as an accumulation of unique contributions by individual artists, interspersed with a few chapters that concern the broader context of the six decades treated ...-Pref.
538 ⊔ ⊔ ‡aMode of access: Internet.
650 ⊔ 7 ‡aPostmodernism. ‡2fast ‡0(OCoLC)fst01073164
650 ⊔ 7 ‡aModernism (Art) ‡2fast ‡0(OCoLC)fst01024442
650 ⊔ 7 ‡aArt, European. ‡2fast ‡0(OCoLC)fst00816244
650 ⊔ 7 ‡aArt, American. ‡2fast ‡0(OCoLC)fst00815895
650 ⊔ 0 ‡aArt, European.
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650 ⊔ 0 ‡aModernism (Art) ‡zUnited States.
651 ⊔ 7 ‡aUnited States. ‡2fast ‡0(OCoLC)fst01204155
651 ⊔ 7 ‡aEurope. ‡2fast ‡0(OCoLC)fst01245064
776 0 8 ‡iOnline version: ‡aFineberg, Jonathan David. ‡tArt since 1940. ‡b2nd ed. ‡dUpper Saddle River, N.J. : Prentice Hall, 2000 ‡w(OCoLC)606290379
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