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| 001 | 002954327 | ||
| 003 | MiAaHDL | ||
| 005 | 20210817000000.0 | ||
| 006 | m d | ||
| 007 | cr bn ---auaua | ||
| 008 | 950410s1993 sp a b 000 0 spa | ||
| 010 | ⊔ | ⊔ | ‡a94126142 |
| 020 | ⊔ | ⊔ | ‡a8433817604 |
| 035 | ⊔ | ⊔ | ‡a(MiU)990029543270106381 |
| 035 | ⊔ | ⊔ | ‡asdr-miu.990029543270106381 |
| 035 | ⊔ | ⊔ | ‡a(OCoLC)30390249 |
| 035 | ⊔ | ⊔ | ‡z(MiU)Aleph002954327 |
| 040 | ⊔ | ⊔ | ‡aDLC ‡cDLC ‡dOCL ‡dEYM |
| 043 | ⊔ | ⊔ | ‡ae-sp--- |
| 050 | 0 | 0 | ‡aND813.S33 ‡bO68 1993 |
| 100 | 1 | ⊔ | ‡aOrozco Díaz, Emilio. |
| 245 | 1 | 3 | ‡aEl pintor Fray Juan Sánchez Cotán / ‡cEmilio Orozco Díaz. |
| 260 | ⊔ | ⊔ | ‡a[Granada] : ‡bUniversidad de Granada : ‡bDiputación Provincial de Granada, ‡c1993. |
| 300 | ⊔ | ⊔ | ‡a382 p. : ‡bill. (some col.) ; ‡c31 cm. |
| 504 | ⊔ | ⊔ | ‡aIncludes bibliographical references (p. [297]-299). |
| 538 | ⊔ | ⊔ | ‡aMode of access: Internet. |
| 600 | 1 | 0 | ‡aSánchez Cotán, Juan, ‡d1560-1627 ‡xCriticism and interpretation. |
| 650 | ⊔ | 0 | ‡aPainting, Baroque ‡zSpain. |
| 650 | ⊔ | 0 | ‡aMannerism (Art) ‡zSpain. |
| 700 | 1 | ⊔ | ‡aSánchez Cotán, Juan, ‡d1560-1627. |
| CID | ⊔ | ⊔ | ‡a002954327 |
| DAT | 0 | ⊔ | ‡a19950410000000.0 ‡b20210817000000.0 |
| DAT | 1 | ⊔ | ‡a20210921183524.0 ‡b2023-12-14T18:57:15Z |
| CAT | ⊔ | ⊔ | ‡aSDR-MIU ‡dALMA ‡lprepare.pl-004-008 |
| FMT | ⊔ | ⊔ | ‡aBK |
| HOL | ⊔ | ⊔ | ‡0sdr-miu.990029543270106381 ‡aMiU ‡bSDR ‡cMIU ‡pmdp.39015033254585 ‡sMIU ‡1990029543270106381 |
| 974 | ⊔ | ⊔ | ‡bMIU ‡cMIU ‡d20231214 ‡sgoogle ‡umdp.39015033254585 ‡y1993 ‡ric ‡qbib ‡tnon-US bib date1 >= 1929 |