LDR | |
01205cam a2200337 a 4500 |
001 |
|
002513052 |
003 |
|
MiAaHDL |
005 |
|
20240607000000.0 |
006 |
|
m d |
007 |
|
cr bn ---auaua |
008 |
|
920925s1991 enka c 000 0 eng d |
015 |
⊔ |
⊔ |
‡aGB91-66498
|
019 |
⊔ |
⊔ |
‡a26808261
|
020 |
⊔ |
⊔ |
‡a1854370855 (pbk)
|
035 |
⊔ |
⊔ |
‡asdr-uiuc.99351328812205899
|
035 |
⊔ |
⊔ |
‡a(EXLNZ-01CARLI_NETWORK)991015533489705816
|
035 |
⊔ |
⊔ |
‡a(UIUdb)3513288
|
035 |
⊔ |
⊔ |
‡a(OCoLC)26810826
|
035 |
⊔ |
⊔ |
‡a5058591-01carli_network
|
040 |
⊔ |
⊔ |
‡aUKM
‡cUKM
‡dUIU
‡dOCLCF
‡dUIUdb
|
049 |
⊔ |
⊔ |
‡aUIUU
|
082 |
0 |
4 |
‡a730.92
‡220
|
100 |
1 |
⊔ |
‡aMoorhouse, Paul
|
245 |
1 |
0 |
‡aAnthony Caro :
‡bsculpture towards architecture /
‡cPaul Moorhouse.
|
260 |
⊔ |
⊔ |
‡aLondon :
‡bTate Gallery,
‡c1991.
|
300 |
⊔ |
⊔ |
‡a55 p. :
‡bill. (some col.) ;
‡c27 cm.
|
500 |
⊔ |
⊔ |
‡aPublished to accompany an exhibition held at the Tate Gallery, 1991-1992.
|
538 |
⊔ |
⊔ |
‡aMode of access: Internet.
|
600 |
1 |
4 |
‡aCaro, Anthony,
‡d1924-
|
653 |
0 |
⊔ |
‡aEngland
|
653 |
0 |
⊔ |
‡aSculptures
|
710 |
2 |
0 |
‡aTate Gallery.
|
886 |
2 |
⊔ |
‡2ukmarc
‡a910
‡b20
‡aNational Gallery of British Painting, Modern Foreign Painting and Modern Sculpture
‡xSee
‡aTate Gallery
‡z710
|
CID |
⊔ |
⊔ |
‡a002513052
|
DAT |
0 |
⊔ |
‡a20200410224509.0
‡b20240607000000.0
|
DAT |
1 |
⊔ |
‡a20240608060736.0
‡b2024-07-03T17:34:24Z
|
DAT |
2 |
⊔ |
‡a2024-07-03T17:30:02Z
|
CAT |
⊔ |
⊔ |
‡aSDR-UIUC
‡cuiuc
‡dALMA
‡lprepare.pl-004-008
|
FMT |
⊔ |
⊔ |
‡aBK
|
HOL |
⊔ |
⊔ |
‡0sdr-uiuc.99351328812205899
‡auiug
‡bSDR
‡cUIUC
‡puiug.30112024222140
‡sUIU
‡199351328812205899
|
974 |
⊔ |
⊔ |
‡bUIU
‡cUIUC
‡d20240703
‡sgoogle
‡uuiug.30112024222140
‡y1991
‡ric
‡qbib
‡tnon-US bib date1 >= 1930
|