| LDR | 00935nam a22002171 4500 | ||
| 001 | 001977886 | ||
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| 008 | 900614s1924 nyu|||||||||||||||||eng|d | ||
| 035 | ⊔ | ⊔ | ‡a(MiU)990019778870106381 |
| 035 | ⊔ | ⊔ | ‡asdr-miu.990019778870106381 |
| 035 | ⊔ | ⊔ | ‡a(OCoLC)30321826 |
| 035 | ⊔ | ⊔ | ‡a(SAZTEC)077705370 |
| 035 | ⊔ | ⊔ | ‡a(CaOTULAS)176876891 |
| 035 | ⊔ | ⊔ | ‡z(MiU)Aleph001977887 |
| 040 | ⊔ | ⊔ | ‡cSAZTEC |
| 100 | 1 | ⊔ | ‡aMason, Daniel Gregory, ‡d1873-1953. |
| 245 | 1 | 0 | ‡aFrom Grieg to Brahms; ‡bstudies of some modern composers and their art, ‡cby Daniel Gregory Mason. |
| 260 | ⊔ | ⊔ | ‡aNew York, ‡bThe Macmillan co., ‡c1924. |
| 300 | ⊔ | ⊔ | ‡aix, [1] p., 3 l., 3-224, [1]p. ‡bfront., ports. ‡c19 1/2 cm. |
| 505 | 1 | ⊔ | ‡aIntroduction: The appreciation of music.--Edvard Grieg.--Antonin Dvoták.--Camille Saint-Saéns.--César Franck.--Peter Ilyitch Tschaikowsky.--Johannes Brahms.--Epilogue: The meaning of music. |
| 538 | ⊔ | ⊔ | ‡aMode of access: Internet. |
| 650 | ⊔ | 0 | ‡aMusicians. |
| 650 | ⊔ | 0 | ‡aMusic ‡y19th century ‡xHistory and criticism. |
| CID | ⊔ | ⊔ | ‡a001977886 |
| DAT | 0 | ⊔ | ‡a20011015000000.0 ‡b20210817000000.0 |
| DAT | 1 | ⊔ | ‡a20210924140717.0 ‡b2023-12-24T18:34:15Z |
| DAT | 2 | ⊔ | ‡a2023-12-24T18:30:02Z |
| CAT | ⊔ | ⊔ | ‡aSDR-MIU ‡dALMA ‡lprepare.pl-004-008 |
| FMT | ⊔ | ⊔ | ‡aBK |
| HOL | ⊔ | ⊔ | ‡0sdr-miu.990019778870106381 ‡aMiU ‡bSDR ‡cMIU ‡pmdp.39015007999280 ‡sMIU ‡1990019778870106381 |
| 974 | ⊔ | ⊔ | ‡bMIU ‡cMIU ‡d20231224 ‡sgoogle ‡umdp.39015007999280 ‡y1924 ‡rpd ‡qbib ‡tUS bib date1 < 1929 |